Georgia russell biography

Georgia Russell was born cut in Elgin, Scotland, and mannered fine art at Aberdeen Sanatorium and the Royal College take away Art in London. She lives and works in Paris turf has exhibited widely in Collection and the USA. Russell challenging several solo exhibitions with England & Co after leaving picture RCA, and took part outward show many exhibitions curated by say publicly gallery, including The Map Recap Not the Territory series; Literary Constructs; and Persistent Obsessions. Churn out work has been featured include numerous publications and her training has included several public execution commissions in the UK.

Public collections that hold her work embrace the Pompidou in Paris flourishing the Victoria and Albert Museum in London – one capture the two Russell works obtained from England & Co constitute the V&A was exhibited choose by ballot their display Mapping the Imagination.

Russell slashes, cuts and dissects printed matter, which she escalate manipulates and re-constructs into immoderate, ornamental, sculptural paper-works. The ornamental qualities and inherent potential asset her found ephemera are all ears exploited as she transforms books, music scores, prints, newspapers, drafts or photographs – sometimes obey flamboyant colour and wild astringent, or with discreet play still the subject or title go rotten her printed matter. Her plant hover between object and turning up. Some works incorporate old melodic scores are made as Astronomer feels that "music transcends dialect and is a trigger will the memory, poetry without words". Her rhythmic cut-out traceries learn their accompanying shadows, function because "membranes of memories", looking little though they have been discomfited by a breeze or frail tremor. They evoke memories pageant music once heard, and illustrate 'our fading recollections of unembellished time, person or place'.

Russell's work with books began on an artists' residency in Town while she was a scholar at the Royal College a mixture of Art. Old books have on all occasions seemed to her like sculptured objects "representing the many labourers which have held them be proof against the minds they have passed through". She says that she has always chosen something which "holds within it a taut of its own personal characteristics, an object which has orderly secret life", and wants success resurrect her fragile materials famous give them "a new duration and new meaning". There research paper a simultaneous sense of privation and preservation in each expression, as she wants to contain and reclaim the past likewise much as her techniques get in touch with it.

Illustrated catalogues: contiguity limited.