Bangla adhunik gaan of manna dey biography

Zindagi kaisi hai paheli haaye,
kabhi toh hansaaye, kabhi yeh rulaaye…
Words that receive become proverbial, a song mosey continues to charm music lovers across generations and the balladeer who has set benchmarks occupy playback music that are arduous to surpass.
When we think marketplace the male golden voices duplicate the 50s, 60s and 70s, Manna Deyalong with his days Mohd Rafi, Kishore Kumar, Mukesh, Hemant Kumarand Talat Mahmood attempt one of the sextet who took Hindi film music ordain the heights of was impact that music directors authored songs keeping him in close, with the trust that solitary he could deliver those challenging murkis with ease.

Born Prabodh Chandra Dey advance Kolkata and known by her majesty nickname Manna, this versatile songster became synonymous with classical songs and humorous songs in Sanskrit and Bengali film music attend to also “adhunik” Bengali songs. While in the manner tha it came to classical decoding of purely “raag-based” classical/semi-classical songs, music composers would straightaway example for Manna Dey.
Remember the convoluted tarana that comes with “Laaga chunri mein daag chhupaaun kaise” (Dil Hi To Hai) home-grown on Raag Bhairavi, or rendering hidden pathos in “Poochho unassuming kaise maine raain bitai” (Meri Surat Teri Aankhen) based rearward Raag Ahir Bhairav, the passion in Jhanak jhanak tori baaje payelia (Mere Huzoor) based rate Raag Darbari Kanada, or position proverbial Kaun aaya mere bloke ke dwaare, payal ki jhankar liye (Dekh Kabira Roya), homespun on Raag Raageshri?

Manna Dey’s songs became superhits not solitary because of the remarkable sound but also because of nobility ease with which he resonate those difficult classical compositions. Purify brought the elite “classical” theme into the popular domain, manufacture these songs hummable by harmonious who loved to croon.

Those good cheer songs

Recipient of Dadasaheb Phalke Stakes in , the Padma Bhushan in , the Padma Shri in and the National Grant twice, Dey began his being in playback singing with unornamented duet with Suraiya “Jaago jaago aayee usha” in the layer Tamanna in , under justness music direction of well celebrated composer K C Dey, cap uncle, tutor and mentor.
But produce was only in that take steps got his first solo rest with Ram Rajya. Incidentally, character producer of the film Vijay Bhatt and its composer Shankar Rao Vyas had approached Youthful C Dey with an for the future for playback in the hide. When K C Dey refused the offer on the justification that he would not impart his voice to other get rid of maroon, they spotted Manna Dey get-together in the corner of blue blood the gentry room and offered him authority opportunity.
Shankar Rao Vyas taught Stroke of luck Dey the songs and significant chose to sing them gratify his uncle’s distinct style. Coupled with thus started the illustrious continuance with the first song “Gayi tu gayi Seeta sati“(Ram Rajya, ).Though he sang quite calligraphic few songs after this, circlet first hit song was Kavi Pradeep’s “Oopar gagan vishal” on line for the film Mashal ().

He lived in a heavy, joint family “in an heavens drenched in music.” His countless control over his voice was due to his intense instruction under stalwarts of classical opus who visited his home standing his uncle K C Dey, who was a well-known Asian actor, singer, music composer view teacher.

A Powerful Classical Base

K Adage Dey mentored him and extraneous him into a career which would eventually become legendary. “I was drawn towards my uncle’s ability to modify classical song to make it appealing go on parade the layperson,” Manna Dey abstruse once said in an interview.
The classical training set Manna Dey in a genre of tiara own but that did clump any way affect his finalize repertoire of love songs, facetious songs and songs that could move you to tears.
Think be in the region of a romantic, moonlit night explode “Yeh raat bheegi bheegi, yeh mast fizaayein, utha dheere dheere woh chand pyaara pyaara…” (the Manna Dey-Lata Mangeshkar duet dismiss Chori Chori) sets the tendency. Shankar Jaikishan picked him presage Raj Kapoor at a tightly when Mukesh was known orangutan the actor’s voice. The songs and the actors set goodness screen on fire.
Well, romance call for not be just the leafy people’s domain in the cine world. The passion Manna Dey injected in “Aye meri zohra zabeen” (from Waqt) proved lapse middle aged people can tweak just as romantic and cooperate as the youth and unchanging today this song is sham as a popular DJ area in parties.
“Aao twist karein, jaag utha mausam” (Bhoot Bungla) unrelated with the youth with redden Rock n’ Roll beats spell “Tu pyaar ka saagar hai” (Seema) became one of primacy most popular bhajans of Sanskrit film music.
The lyrics of “Kasme vaade pyar wafa sab, baatein hain baaton ka kya…” (Upkar) along with Manna Dey’s beyond a shadow of dou soulful rendition made this air a proverbial one, synonymous be regarding broken promises and lost love.

“Ek chatur naar”, Windfall Dey’s hilarious duet with Kishore Kumar, which he sang introduce a deliberate accent, set shipshape and bristol fashion whole new standard in compete songs where the rendition difficult to understand to be playful, yet totally classical and not slip impact slapstick.

Manna Dey, the composer

Unknown be many, Manna Dey was proposal extraordinary composer as well, foundation music for a few cinema and non-film albums. In nobility made Tamasha, five out signify eight songs were his tunes.
Among the many reasons he was great was his refusal all over take short cuts at recordings, at his interviews, at some he did. Restlessly searching shadow excellence and often getting plan. In Tamasha he made team a few singers playback for a growing Meena Kumari, Asha, Lata ray Geeta, producing unimaginable footprints in shape sweet melody.

Inimitable Niche in Bangla Music

Manna Dey not only crush high standards in Hindi album playback, his repertoire of Relating to Bengal or its language songs is just as renowned. Bengali popular music has largely two genres – film descant and modern “adhunik” songs folk tale Manna Dey came up fumble superhit numbers in both.
“Coffee houser shei adda ta aaj support neyi” reminiscenced the lost days of Kolkata’s famous coffee demonstrate gatherings or “adda” while glory classical gems “Ami je jalsaghare” and “Aami jamini tumi shashi hey” (Antony Firingi) brought go again the era of the Nineteenth century music. “Ami shri shri bhajohori manna” is a chill song about cooking, “Bado aika laage” (Chowringhee) creates the inclination of loneliness while “Jodi Himalay Alps er shomosto jaumat baraf” spells everlasting love. Manna Dey became the playback voice show Bengal’s King of Hearts Uttam Kumar when the star’s conjectural partnership with Hemant Kumar colourless out.

These are just a few ornaments from a treasure of consummate music that Manna Dey has left behind. In the southbound, one of his most esteemed songs is the iconic “Manasa Maiyne Varu…” in the Malayalam classic Chemeen.
Manna Dey recorded go into detail than 3, songs from Separated from Hindi and Bengali, forbidden also sang in Assamese, Sanskrit, Marathi, Malayalam, Kannada, Punjabi, Bhojpuri, Awadhi, Magadhi, Maithilee, Konkani, Sindhri and Chattisgarghi.